Rap Destructible's of Construction.
We all knew it, its just a fact women abuse has come to life as being wrong, does not matter your standing - its a battle you can not win not matter how many excuses even your rap entails -
Most of these old rappers designed their music as brain-washable excusant' points for their life-living traits, it's just not going to 'hold up'-
What were these rappers up to that we already knew ?
Sodomizing women abusively and murdering the opposing enemies gang-state, to use and abuse: 'Hoes, Bitc**s' - which simply reflects on themselves like an elevational' mirror, furthering their own abusive state of living. Not one of these rappers would ever be as game obviously to detail the sexual extremity of their sexual abuse and often you will find its of quite a youthful age if not illegality in secret confines of their attract towards.
How 'hard/tough' are these Kings of Rap ? - Depends if you believe sexually power abusive over a women's vulnerable sexual repression in sexual momentary is something you want to believe is an acceptable standard. If you believe being attracted to vulnerable infliction of a women or sexual pain is acceptable, most likely you would be in tendencies to rationalise your own life abusive reflective structure and need for abuse [attract to the individual being in pain or anguish or being oppressed of their vulnerability-]
The Brainwashing Standard of Rap : Memory of music 'making you aspire, delusive brainwashing height rap of the nature actually helps you circumference getting by or did, or you simply aspire to deathly naturalism's of living in in-recognising stupidity of own traits and it helps you excel in some way, to be hard of body, to be the tough-guy (child-like movie portrayals of toughness or roughness of nature, dreaming state/belief state of weakness or drug like delusive of mental clarity; to hit back at your persecution-)
Premise: Learning construction/constructive of thought on learning connecting; designed re-attributing and re-attributing to the persons pains and cinematic/theatrical examplification at a fantasia descriptive' language' height. To inflict and relieve the infliction, creating a premise of greater than and in span of learning construct-ability on listener, to impact in cinematic/kinetics on the minds belief and dream state.
Many children suffer this fate even in this current day and age, which the power' delusive' of the music reflects and impacts right through to adulthood behavioural' and attributing of behavioural's.
The known gangster like movements ; side-wards smiling, attributing movementation's into styling of how perceived, hat on backwards, horror blackening clothing, styling of movements into effectiveness/reflectiveness/restrictiveness of surrounding perspective and deprivate of; are furthered formed traiting behavioural adaptiveness in defensive to experienced/memorability reflective/self-reflection [traumatisation frictive span leveling] adaptiveness/deceptiveness- to; and to adapt to perceived or how perceived in others eyes and control of in length/life of how perceived and going to be perceived, also defensiveness to how treated in law in regarding- behavioural adaptiveness/deceptionary- [pretense: fear reflectiveness] Perceived behavioural tribulation, styling of movementary, to assert/insert of a rougher nature (traumatic elevates, manipulative cohesive on thought formatory) dressing styling (child standardisations : dressing up for others) perceived of rough/tough clothing or hair appearances [appeal/obedience to women /attraction of sex) -sly/distractive/deceptive of perceived appearances, to control another's vision/visionary resolve - nerve/fear incitement of the weaker than the subject, movie/music imagery portrayal of behaviourals (re-assertive naturism, sensory/perceptive deprivate)-
-Reflective of own fear /to re-attribute to perceived nerve /public surrounding perceptive -alleviate uses - reflective behvaiourals to attributive of others perceptive's for self-alleviate - revolvement of fear insightment (instinctualite span of recognition)
These rap icon's were all the same and little has changed for them; elongated' spanning learning' constructions' or excuse alleviates to naturism's of living - to impacting on a span to stay covered with law ethnicity or persecute against, to examplification of the premise that there is much more to their story and the law is keeping certain factors away from the rationality of the standard officer engagement and to not told of classificationary height, how to adapt to and how to sing to be vocal in their music to not be at trouble or faulting or fault within what they example.
Simply of course it related to you; it is all about you- yes, sadly you may be abusive and adapt with relief/alleviation as well for your influences and life circumstantial just like your music idol.